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waiting for this to be a super subtle cinemagraph
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oy, my bad. meant who shot this/where'd it come from?
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GETTIN PRETTY (OBTUSE), SAUL
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the better question is, what?
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the better question is, why this composition,really that? (rule 34 has become a cliche)
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agree tanson, the legacy of "cyberpunk," and the base of its success, was/is the novelty of technological potential. also, though maybe a by-product of twitter's declarative, 141-character-based nature, his arbitrary generalizations about creative and non-creative people being certain resolvable things strikes me as unthoughtful.
nevertheless, i believe he's focusing, to the detriment of his ability to be self-aware, on how atemporal works consciously develop "traditional" themes below the details of plot, whether it be VR-action satire or Jane Austen fetish--we are still focused on the same philosophical thrusting we've always been
…agree tanson, the legacy of "cyberpunk," and the base of its success, was/is the novelty of technological potential. also, though maybe a by-product of twitter's declarative, 141-character-based nature, his arbitrary generalizations about creative and non-creative people being certain resolvable things strikes me as unthoughtful.
nevertheless, i believe he's focusing, to the detriment of his ability to be self-aware, on how atemporal works consciously develop "traditional" themes below the details of plot, whether it be VR-action satire or Jane Austen fetish--we are still focused on the same philosophical thrusting we've always been
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a+ calvin! you win!
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yes awesome. I read gibson though partly because he is the MOST temporal of writers. some of his sentences read as if he is trying to jam in as many brand names as he can, for instance. it's interesting but not atemporal.
actually, I gotta say, 'plot' has almost completely eluded him recently. i'm not sure even he would say that's a feature of atemporality, as he seems to define it.
#awesome
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